Showing posts with label Grey's Anatomy. Show all posts
Showing posts with label Grey's Anatomy. Show all posts

Friday, March 6, 2015

Character Depth and Grey's Anatomy - part one





There's a lot to learn from TV series - and today I thought I'd write a post about how Grey's Anatomy manages to create such compelling characters through the use of family. I haven't gone into all the family members of the various characters, just a few, to illustrate...

If you don't watch Greys, it doesn't matter - this post will be general enough to make my points (hopefully) so don't tune out just yet!

Grey's Anatomy is the creation of the hugely talented Shonda Rhimes.


So, the titular character in Grey's is Dr Meredith Grey.
She's married, and has 2 kids. She's a busy doctor juggling work and family. But where the character depth comes in, is her history - her family dynamic. 
She's driven to succeed in her job, because her mother was a famous surgeon who would only love her if she was successful. Her relationship with Dr Shepard (McDreamy) starts with her one night stand with a married man - her mother also had an affair with a married man. She is fearful of developing Alzheimer's Disease - just as her mother did. She's closed off and slow to trust. Her mother left her father, and she had little contact with him-he had another family after his marriage to Meredith's mother broke up. She relies on close friends, and is suspicious of strangers.

So Meredith's wound: Brought up by a woman determined to succeed in her career, and see her daughter follow in her footsteps. Only child. Hothoused, Lonely. Not shown love, and therefore unable to handle it when she is shown it.

How is this illustrated? By throwing family members at her! Her mother reappears in flashback episodes - in a moment of lucidity from her disease, she confesses she is disappointed at how ordinary Meredith has become. Next, her half-sister Lexie starts to work in the hospital, and we see how different their upbringings were, and how difficult Meredith finds it to trust. In the current season, another half-sister that Meredith didn't know she had, Maggie, appears. When Meredith learns that Maggie is her sister, her reaction is typical. First she doesn't believe her mother could have had a secret child and given it up for adoption, so she challenges Maggie. Next, she accepts the fact, but doesn't hold out the hand of friendship, it is up to her more balanced, emotionally giving husband to embrace the newcomer. The family, appearing in flashback or real time, explain how Meredith is the way she is - and with her wounds visible, the audience gets to see her work through them, to grow and change.

Meredith's struggles with emotional matters is also illustrated through her interactions with her husband Derek's big, open, family. He has many sisters, some of whom pop up in Greys. In one scene, his sister Lizzie arrives and berates Meredith for not letting her know that they have adopted a daughter - she says "We're family."   But family means something different to Meredith, and we see how uncomfortable she is being embraced by her sister-in-law, she wants to keep things at arms length. When later she softens towards Lizzie, she confides that she is pregnant...sharing precious news to let Lizzie know that she does understand what family means to Derek and his sisters-showing that she is trying to change.

In my next blog post, I'm going to continue in this theme - and explore some of the other characters' family dynamic and how bringing family members in to the series acts as a powerful way to show the clash between their hidden inner selves (formed through childhood and family) and their surface selves.





Saturday, December 1, 2012

Love-Triangles - I love 'em!

So far, I've written mostly Romance novels which are pretty traditional. Boy - girl - struggle - love.
But what I love to watch on tv and in film are love-triangles. I have a triangle with a twist in my Christmas Read, Angel All Year, which has my angel Angela torn between two men, one alive and one with her as an angel.

Here are some of my favorite love-triangles....

Haven - Will Audrey go for Nathan or Duke?
Grey's Anatomy - well there are loads of complications in Grey's, but the Mark/Lexie/Jackson combo was great - until recently, obviously! and when they added in a serious girlfriend for Mark, that made it even more watchable!
The Vampire Diaries - I'm getting slowly sucked into VD, and am starting from Season One over Christmas to find out what I've missed-jumping in mid-stream. The Elena/Damon/Stefan triangle is just delicious!
Revenge - The question Will Emily choose Daniel or Jack kept me glued to the screen.
The Good Wife - Alicia's torment choosing whether to stay with her cheating husband, Peter, or to embrace a new, enduring romance with Will...
True Blood - Sookie - Bill - Eric...Heck, she should just go Alcide!
Twilight - Bella-Jake-Edward? Did she make the right choice?

I could go on and on. Because everything I watch seems to have compelling triangles in it.

I guess the love-triangle addresses a fundamental issue. Does the heroine want the steady, good-for-her man who's in the wings, or will she choose the wilder love interest, that she just can't resist? What makes it even more interesting is when she starts with one, moves on to the other, and then the first love moves on, and she wants him back! Or the scenario when she catches the wild one, he becomes devoted, and in true human-nature fashion, the other lover (who doesn't need/want her any more) becomes the human equivalent of catnip!

I love love-triangles. I think I'd like to write some. But the only way to write love-triangles is to give enough space to show all the relationships, and conflicts, so instead of a stand-alone book, I reckon a series would be the way to go, to show all the different permutations and love affairs that make up a complex life with love lost, love found, love rediscovered.

Surprises are the icing on the cake, the cherry on the top, the element that makes ordinary extraordinary.

Now, tell me what love-triangles you've loved that I've missed?